It’s been a while since I’ve done a reaction/review-ish piece for an MLP episode. While there have been episodes of MLP I’ve thought good, I never really got the same sort of spark for wanting to say something about them as I’ve done in the past.
Part of it is burnout for sure, and of course graduate school isn’t exactly known for giving you free time. But a lot of it was honestly just didn’t feel like the show or was offering much that I could work with as someone whose main interest is getting at it from a background in political science and ethics/political theory perspective. Sure, the return of the best background character ever, Trixie, in “No Second Prances”, got me excited, but didn’t exactly give me room to ramble on about introductory Marxist theory like Starlight Glimmer’s first episodes or the countless articles I’ve done on utilitarianism.
But seriously though, this episode alone would have been enough to make the season for me.
Fortunately for me then it appears the somewhat contentious season finale –at least from some initial reactions I’ve seen – finally gives me a chance to dig out the old MLP analysist in me. Because if there is anything that gets the urge to ramble on about something, it’s controversy. So let’s dig in to “To Where and Back Again”, and what the conclusion of the two-parter says about the nature of the MLP Universe.
As usual, I’m a little late to the punch in writing up a reaction to the 100th episode of My Little Pony: Friendship is Magic entitled “Slice of Life”. The basis of the episode, a focus on the large cast of side and minor characters throughout the series getting ready for the wedding of Matilda and Cranky Doodle Dandy, seemed a rather fun idea. In practice, the episode was a big shout out to the fandom, being stuffed full of fanservice and shout outs to ideas spread throughout the fandom. For the most part, I did enjoy the episode and found it rather fun. There was something that bothered me, however, about the Lyra and Bon Bon scenes and what they mean in the context of Lyra/Bon Bon being one of the earliest and most prolific non-heteronormative ships within the fandom.
Before getting to that, however, let me start with some of the other things about the episode.
An audio version of sorts of my Rainbow Rocks review, with some additional commentary in response to some things I’ve seen.
Season 4 has come and gone, leaving us with this two-parter dubbed “Twilight’s Kingdom.” Instead of a reaction ramble, I went through and picked out six things in particular I wanted to talk about. Check in below to see just what I thought of this season’s finale.